![]() They have similarities, and in other ways, they are very different. I feel like this film is, in so many ways, like the child of a very famous person. I feel like we did that, and I can’t imagine a better case for the way this could have worked out. Those two reactions, to me.I feel like the rest doesn’t matter at this point. #Dr sleep maya cinema movieI’ve had this bizarre kind of experience on the tail end of it, where I’ve screened the movie for and he loves it, and we screened the movie for the Kubrick estate and they love it. You were very faithful to his novel, for the most part. I spent the whole time try not to throw up, but it was wild. I brought the finished movie up to Maine to show him. King has tweeted positively about the movie. If he had said no, if he had said, ‘Look, I really just do not want to go that direction,’ I wouldn’t have done the film. But that depended on a lot of things, and the biggest one for me was I never wanted to do it unless Stephen King felt comfortable with it. It felt like, if we’re going to go there, we might as well go all in. The comparisons would happen regardless, just for the fact that it’s a movie about Dan Torrance. I felt like it would have been cowardly to completely try to pretend that the Stanley Kubrick Overlook would not be the definitive Overlook in everyone’s minds. That would have come with its own risks too. I love The Shining the novel, and I love Kubrick’s film, and if there was ever even any chance to pull those two camps that had been so disparate, to pull them back together even a little bit, that was a really attractive idea. I’m a constant reader through and through, but I’m also a student and lover of cinema. There were moments, especially very early on when I first entertained the project, where I was like, ‘That just seems far safer, far less fraught with danger.’ But there’s something about being a lifelong fanatic of Stephen King. It was very tempting actually, because I think it would’ve been a lot easier. Did you ever consider not blending it with Kubrick’s design? It’s a sequel to Stephen King’s The Shining, but uses different art direction for the hotel.’ Instead you are trying to unite the books and movie. There’s a version of this film where you could have just said, ‘This is a new story. Flanagan, the showrunner of Netflix’s The Haunting of Hill House and the director of previous King adaptation Gerald’s Game, explained how he merged the worlds of King and Kubrick, laying down rules to ensure he was playing with their toys without playing with their bones. In the new movie, Hallorann still appears, but as a spectral guide-evidence that, even though Doctor Sleep is more like King’s version of the world than Kubrick’s film, there’s still room for change. In Kubrick’s film, the hotel cook Dick Hallorann (Scatman Crothers), who comes to their rescue, is killed, but in King’s novel he survives, and is still alive as a very elderly man in the beginning of the Doctor Sleep novel. The Doctor Sleep novel differs from Kubrick’s adaptation in a number of ways that Flanagan had to bridge. Stanley Kubrick’s 1980 film adaptation of The Shining throws an equally long shadow, beloved by generations (if not King himself) for forever visualizing the Overlook as a mind-bending labyrinth, haunted by tortured souls who become the torturers. Even Stephen King, who first imagined the malevolent mountain retreat in his 1977 best-seller, was hesitant to return to that locale when he began writing the 2013 follow-up. The Overlook Hotel is a landmark in horror storytelling. ![]()
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